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<title><![CDATA[PERSONIFICATION IN “A CHRISTMAS CAROL”  A NOVEL BY CHARLES DICKENS]]></title>
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<namePart>JULIANTI WENYI</namePart>
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<namePart>Elisna Huan, S.Pd., M.Hum</namePart>
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<publisher><![CDATA[UPT Perpustakaan Undana]]></publisher>
<dateIssued><![CDATA[2025]]></dateIssued>
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<note>ABSTRACT

JULIANTI WENYI
1801020242

This study examines the used of personiﬁcation as a literary device in Charles Dickens’ “A Christmas Carol”. The research aims to identify the types of personiﬁcation and analyze their functions in enhancing the narrative, themes, and characterization in the novel. Using a qualitative descriptive method, the study categorizes personiﬁcation into two types: “prosopographia” (attributing human traits to abstract or inanimate entities) and “prosopopoeia” (giving human form or voice to non-human entities).  The ﬁndings reveal that Dickens employs personiﬁcation extensively to bring non-human elements to life, reinforce moral themes, and deepen the reader’s engagement. For instance, the “cold within (Scrooge)” is depicted as actively shaping his physical appearance, mirroring his emotional isolation. The Ghosts of Christmas symbolize abstract concepts like time and morality, making them tangible and impactful. Personiﬁcation also serves to create atmosphere, emphasize themes of redemption and social critique, and reﬂect Scrooge’s psychological transformation. The study concludes that personiﬁcation in “A Christmas Carol” is not merely decorative but integral to Dickens' narrative style, enriching the novel’s emotional resonance and moral message. The research contributes to literary analysis by highlighting how ﬁgurative language can amplify thematic depth and reader immersion. Suggestions for further research include comparative studies of personiﬁcation in Dickens' other works and its pedagogical applications in literature education.  
Keywords: A Christmas Carol, Charles Dickens, personification, literary analysis</note>
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